a s s e m b l a g e . o r g

     

artist
concepts/views
organization
     

 

artist           

 

ancillary & institutional bio data

from fundraising flyer: mini-bio

or this subjected list:

new york city based composer performer howard elmer: break ground symphonist incorporating tonal rhythmic style culled from vernacular & digital domains: seminal sources from which ideas germinate/emanate, and poise him to join the pantheon of remarkable 21st century musical minds

performances in the us and europe, composer performing in seattle and new york city

born in seattle: 1963

instruments: hand drums/percussion, keyboards

scored media such as independent films, listed in the film composers guide (2nd ed., lone eagle)

education

ma: music composition, new york university, 1993

ba: music, university of washington, seattle, 1988

ba: composition, university of washington, 1988

coursework: university of california extension's film music program

awards & commissions

commission: north river music series: full length concert featuring howard elmer and uplift soul choir, supported in part by various organizations: meet the composer, aaron copland fund for music, virgil thompson foundation & ny state council on the arts

commission: rosen publishing, for the book: 'blues: its birth & growth'

various scholarships, honorable mentions

teachers

composition: kenneth benschoof, william bergsma, marc consoli, stuart dempster (formative), robert kechley, diane thome, paul tufts

pan & neo african drumming: john amira, dean badarou, jim buck, 'papa' ladji camara, djoniba, sammy figeuroa, milford graves, fan fan damas louis, david pleasant, juma santos, & guy warren, jr.

south indian rhythm: glen 'rusty' gillette

fieldwork, influences & research

algroithmic & process derived frameworks

drumming & rhythm: pan & neo african urban drumming & neo urban drum culture, south indian rhythm, taiko (japanese) drumming, western rhythm,

minimalism, programming

composers: glen branca & steve reich

recorded interviews: simha arom (world renowned french musicologist and specialist in african music, directuer au cnr), steve reich, juma santos

bands / groups

contemparary/new music, jazz, rock/pop, & semi/improvisatory

production and boards

program side board member - nyu composer's forum

production side board member - independent composers association (los angeles)

opus i stage manager (seattle)

uw noon concert series producer, curator and stage manager

radio, television & film broadcast & credit

radio representative on kcmu, kxlu.

positions

operations geek/manager for business with 2 contiguous state geographical region

management information systems director for new york city law firm

inventory analyst with the archives of bertelsmann music group (bmg/rca)

technical assistant in the music research division of the performing arts library at lincoln center

concepts / views   

 

assemblage forum: from the podium/pulpit baby, preach it, shake your fist in the air!

i haven't put my anger here yet, but i might, let me know if you want to see it!!!

organization     

 

specifics

a lineage, history, purpose . . . of assemblage as an organization: in the making

 

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